Tuesday, April 9, 2019

Strange Tales #151

It’s no secret that Jim Steranko is one of my all-time favorite artists/writers.

I first saw his art in one of Marvel Comics’ anthology series featuring the iconic characters: Nick Fury and Doctor Strange.

At that time Marvel Comics was limited to publishing only eight titles a month as stipulated by their distribution company owned by Marvel’s rival: DC Comics.

In order to expand its character titles Stan Lee took three of its existing anthology series and divided each into two tales starring different characters-a clever marketing ploy!

Comic book lore has it that after a disappointing association with Harvey Comics Jim Steranko brought his portfolio to Marvel Comics and presented it to Stan Lee.

Lee was so impressed with Steranko’s art that he hired him on the spot and offered him whichever title he wanted.

Jim chose Strange Tales, one of Marvel’s lowest sellers.

Several issues previously Stan Lee and Jack Kirby created Nick Fury Agent Of S.H.I.E.L.D. as a direct response to the popularity of the James Bond films and the burgeoning spy craze.

The series featured ex-Army sergeant Nick Fury as a CIA agent recruited by the super-spy organization S.H.I.E.L.D.

Lee provided the script and Kirby layouts.  This allowed Steranko to concentrate on his art and accustom himself to the Marvel Comics story-telling style.

In is first Marvel venture Steranko’s elements of his distinctive style were already evident.   His slick and clean pencils and inks showcased his mastery of anatomy, perspective, set designs and exotic weapons and equipment (reminiscent of one of Sternako’s influences: Wally Wood.

Several issues later Steranko would take over the writing chores and cover art.

Jim’s run on Nick Fury Agent Of S.H.I.E.L.D. lasted several years.  All the while, his distinct style continued to develop.

When Marvel Comics ended its distribution deal with DC Comics and secured another distributor contract, Marvel expanded its line of books.

Nick Fury received his own monthly title with Steranko writing, penciling and often inking and coloring nearly a half-dozen issues.

Steranko was not know for his adherence to deadlines and unfortunately left the title.

Not long afterwards he would begin his legendary run On Captain America, ending after a few issues and a short run on the X-Men.

Jim would provide the occasional short tale and covers for Marvel over the years but never returned to a regular series.

He would later go on to create his own design firm, self-publish, paint book covers and continue to design, illustrate and influence the comic book industry for decades.

Jim is a much loved guest at conventions, still contributes art occasionally and is every bit as creative and innovative as ever.

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